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The intricate mola panels of Panama are created by the indigenous people of Kuna, using the reverse applique technique.

There was a time when the indigenous Kuna people of Panama wore little clothing and covered their bodies instead with elaborate and colourful body art. With the passage of time, when they began wearing clothes, they transferred the workmanship to their textiles, giving rise to the handmade textile art of mola.

 Mola panels are made using the reverse applique technique. Layers of different-coloured cotton cloth (up to seven layers) are sewn together. Then each layer is cut out in a pattern, revealing the cloth underneath. The largest pattern is cut out from the topmost layer, with progressively small designs being cut out from the lower layers. The edges of each layer are folded and sewn down with fine, almost invisible stitches. The beauty of the mola lies in the intricacy of the design and the finesse of the sewing.

Molas are characterised by vibrant colours and complex geometric patterns. They are often hailed as 'living history books' as the designs reflect the Kuna symbols of nature and their culture. The traditional costume of the Kuna woman includes a blouse adorned with mola panels.

FACT FILE

*Molas are characterised by vibrant colours and complex geometric patterns.

*They are often hailed as ‘living history books’ as the designs reflect the Kuna symbols of nature and their culture.

Picture Credit : Google 

Get to know about the nagash painting of Saudi Arabia. Nagash painting, also known as Al-Qatt Al-Asiri, adorns the interior walls of traditional Arabic homes.

Tradition in Saudi Arabia dictates that the man builds the house and the woman decorates it. The women of the Asir province express their creativity by painting frescos on the interior walls of their homes. Known as Al-Qatt Al-Asiri, the traditional folk art form is recognized by UNESCO as Intangible Cultural Heritage. The paintings are paintings are also called nagash in Arabic.

The white gypsum walls provide the broad canvas for the home artists. They draw geometric lines, triangles, squares, diagonals and tree-like patterns in bright hues of blues, greens, yellows and reds. The patterns reflect the cultural and weaving heritage of the communities. While some communities draw simple open designs, others make more complex patterns edged with a black outline, adding structure to the design. Traditionally, the women used natural colours-yellow colour was extracted from  turmeric, black from coal, blue from indigo dye and green from grass. They used brushes made from camel or goat hair. Often, the painting is a communal affair where the ladies of the house invite their female guests to contribute in the beautification of the nagash.

Picture Credit : Google