My Science School

Christ the Redeemer, Portuguese Cristo Redentor, colossal statue of Jesus Christ at the summit of Mount Corcovado, Rio de Janeiro, southeastern Brazil. Celebrated in traditional and popular songs, Corcovado towers over Rio de Janeiro, Brazil’s principal port city. The statue of Christ the Redeemer was completed in 1931 and stands 98 feet (30 metres) tall, its horizontally outstretched arms spanning 92 feet (28 metres). The statue has become emblematic of both the city of Rio de Janeiro and the whole nation of Brazil.

The statue, made of reinforced concrete clad in a mosaic of thousands of triangular soapstone tiles, sits on a square stone pedestal base about 26 feet (8 metres) high, which itself is situated on a deck atop the mountain’s summit. The statue is the largest Art Deco-style sculpture in the world.

In the 1850s the Vincentian priest Pedro Maria Boss suggested placing a Christian monument on Mount Corcovado to honour Isabel, princess regent of Brazil and the daughter of Emperor Pedro II, although the project was never approved. In 1921 the Roman Catholic archdiocese of Rio de Janeiro proposed that a statue of Christ be built on the 2,310-foot (704-metre) summit, which, because of its commanding height, would make it visible from anywhere in Rio. Citizens petitioned Pres. Epitácio Pessoa to allow the construction of the statue on Mount Corcovado.

Credit : Britannica

Picture Credit : Google

The gladiator was a fighter of Ancient Rome. The name derives from gladio, the Latin word for the sword used during the fighting. The Colosseum gladiators were usually slaves or prisoners of war, or people condemned for committing some crime.

The duels between gladiators were born in Etruria and were later taken up by the Romans. Their origin is attributable to the munera, or public works created for the sake of the Roman people. The munera gladiatoria were public shows offered by wealthy people on certain occasions. Among these were gladiator games.

Roman gladiators were pro at fighting. The familiae were the groups of gladiators trained by the lanists: in the schools they were taught how to die in the arena. At the entrance to the arena, the competitors went under the Emperor’s gallery and shouted: “Ave Caesar, morituri te salutant” (“Hail, Caesar! Those about to die salute thee”). The defeated gladiator had to know how to die with dignity, the winner instead made him swing his sword in the air before piercing the opponent’s neck. The public expressed their appreciation for the possibility of granting life or death, but the killing of a professional gladiator was rare. The winning gladiator would gain success and well-being, as well as the possibility of obtaining leave after a career of triumphs.

Credit : Ancient and Recent

Picture Credit : Google

Shah Jahan was the fifth ruler of the Mughal dynasty. During his third regnal year, his favorite wife, known as Mumtaz Mahal, died due to complications arising from the birth of their fourteenth child.  Deeply saddened, the emperor started planning the construction of a suitable, permanent resting place for his beloved wife almost immediately. The result of his efforts and resources was the creation of what was called the Luminous Tomb in contemporary Mughal texts and is what the world knows today as the Taj Mahal.

Shah Jahan built the Taj Mahal in Agra, where he took the throne in 1628. First conquered by Muslim invaders in the eleventh century, the city had been transformed into a flourishing area of trade during Shah Jahan’s rule. Situated on the banks of the Yamuna River allowed for easy access to water, and Agra soon earned the reputation as a “riverfront garden city,” on account of its meticulously planned gardens, lush with flowering bushes and fruit-bearing trees in the sixteenth century.

When Mumtaz Mahal died at age 38 in 1631, the emperor is reported to have refused to engage in court festivities, postponed two of his sons’ weddings, and allegedly made frequent visits to his wife’s temporary resting place (in Burhanpur) during the time it took for the building of the Taj to be completed. Stories like these have led to the Taj Mahal being referred to as an architectural “symbol of love” in popular literature. But there are other theories: one suggests that the Taj is not a funeral monument, and that Shah Jahan might have built a similar structure even if his wife had not died. Based on the metaphoric specificity of Qur’anic and other inscriptions and the emperor’s love of thrones, another theory maintains that the Taj Mahal is a symbolic representation of a Divine Throne—the seat of God—on the Day of Judgment. A third view holds that the monument was built to represent a replica of a house of paradise. In the “paradisiacal mansion” theory, the Taj was something of a vanity project, built to glorify Mughal rule and the emperor himself.

Credit : Khan Academy

Picture Credit : Google